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Archive for the ‘had to be there’ Category

terrible review: was this guy even at this concert?

Posted by rollinsloane on 5 March 2008

This past Sunday found me in the upper balcony of the Walt Disney Concert Hall for a musical tribute to Ella Fitzgerald, an unmatchable talent whose predilection for standards has basically ensured that all posthumous tributes inevitably end up sounding more Supper Club than soulful blues-jazz. Mercifully, the LA Phil’s line-up instead swerved across genres, featuring the Broadway showmanship of TC Carson and traditional vocals of Ann Hampton Callaway and Janis Siegel. Carson’s jazz hands were the best of that genre and both ladies could belt and scat with equal ease, but the evening belonged to self-proclaimed “new kid on the block” Ledisi. This chick may not have the biggest pipes, but she works her distinctive reedy twitter with real aplomb, and she offered Ella’s vocal creativity the show’s only totally cheese-less tribute.

ledisi

Ledisi only got two of the program’s dozen-odd songs, but somehow she ended up with the two most ripe for some good old teeth-sinking — “Fly Me to the Moon” and the night-ending “Blues in the Night.”

Maybe she doesn’t deserve all the credit for her final audience-winning number. Ledisi was simply balm to the hall’s tortured ears, coming as she did on the heels of professional jazz hack Mark Murphy. If Will Ferrell hadn’t already mocked Robert Goulet to the smooth-crooner hilt, Mr. Murphy would be f-ing ripe for parody, with his personal accompanist and great dead possum of a coif.

mark murphy


Good lord, this guy poured his voice into such cringe-worthy classics as “Body and Soul” with all the subtle finesse of a ladies man at a singles’ bar.  His embarrassing display of god-awful taste was only matched by the LA Times‘ inept reviewer.  Damn you, Don Heckman!

The inner creativity — the quest to make a song her own — that was at the heart of Fitzgerald’s singing was best illustrated by veteran vocalist Mark Murphy…Finding the heart of the stories, moving lyrics around, winging freely across the harmonies, he transformed classics into up-to-the-minute interpretations, simmering with emotional density. Just the way Ella would have done.

Hoooooly cow, buddy, have you ever heard Ella Fitzgerald?  This is pure blasphemy, the editorial equivalent of giving a cute script an OSCAR (ahem, Juno) or a tribute album a GRAMMY (ahem, Herbie).  In fact, I’m going to go ahead and say this is why the newspaper business is failing — Don Heckman, pure and simple.  Congratulations, Mr. Heckman.  I’d curse you to a hell of Mark Murphy live and in person, but somehow that’s not punishment enough.

Ollie

 

Posted in 20 lashes, had to be there, so. cali | Tagged: , , , , , , , , , , | 1 Comment »

sexploitation at fairfax’s silent theater

Posted by rollinsloane on 1 March 2008

It’s hard to consider Fairfax’s Silent Movie Theater a hidden LA gem, especially considering the packed house that showed up for last night’s screening of Faster, Pussycat! Kill! Kill! (even the theater’s 3-to-a-seat couches were stuffed, presumably by some uncomfortable strangers). But I certainly haven’t come across much press coverage of what must be the top arthouse theater in this very movie-minded town. Even my LA-born-and-bred cinephile butt had never before been; last night’s wham-bam conclusion to SMT’s Russ Meyer month proved the perfect introduction.

The thin wooden seats are too hard and too close together, but they all come with plump corduroy pillows and it’s the sort of place where you might get to know your neighbor anyway. In lieu of pre-screening ads or trailers, the 4×3 screen played a real police training video from the 70s featuring “To Shoot or not to Shoot” scenarios (hilarious for its paranoia, frightening for being real), and I for one didn’t miss the bogus pre-show usher speech now playing in every hoity-toity cineplex in this goddamn town.

Then on to the main event. Where to even begin. Pussycat (1965) is trash cinema at its most innocent, as if all involved were simply riding high on the freedom of being totally outrageous. Its violence is unmotivated, but cleanly bloodless; it oozes with the sexuality of tight leather and innuendo, but plays it for laughs and holds it to mere kisses. Pussycat wise cracks — it’s too happy-go-lucky to offend.

Don’t get me wrong, though — it’s still sexploitation. How many countless feminist film majors have earned their Ph.D with a lengthy examination of writer-director-producer Russ Meyer‘s sexual politics? This man’s bread-and-butter was the burgeoning soft-core industry; as a Playboy centerfold photographer, Meyer was in the perfect place to nudge the new, ahem, art form along. But Pussycat‘s backbone remains its strangely theater-ready script, a tangle of fascinating character dynamics that go beyond its ludicrous plot.

Basically, three go-go dancers-cum-renegade bad-asses stalk the California desert in a trio of sweet 60s sports cars. That’s it. Along the way they terrorize a wholesome young and try to rob a crippled rancher and his two sons, and murky chaos ensues. But mostly they wear tight close and sling about their fantastic hair. Led by tough-talking fem-sadist Varla (Tura Satana, with her own soap operatic backstory and a downright perfect name), these sex-starved ladies (played by embodied by Haji, a purring Italian-looking Canadian, and Lori Williams, the ultimate all-American blonde) could single-handedly bring back high-waisted jeans.

 faster pussycats

(Let’s just hope Quentin Tarantino’s recently announced desire for a remake featuring Eva Mendes, Kim Kardashian and Brittany Spears will never in a million f-ing years come to pass.  I can’t even believe I just read that.  I mean, I know he’s all about the homage, but if he does this out of love it would the ultimate in cinematic OJ Simpson. )

Check out the trailer below for a full-dose of the old-school soundtrack and cheesetastic acting:

Sexuality and strength and violence are all twisted up in there somewhere, and one of these days I’ll get my head around the mess. For now I’ll just be heading to the Silent every chance I get. This month’s calendar includes Philip Marlowe and 30s chorus lines, so feel free to shun Hollywood’s annual crap period and still get out to a hell of a show.

Sloane

faster pussycat kill kill poster

Posted in dude check it out, filmdom, had to be there, huzzah | Tagged: , , , , , , , , , | Leave a Comment »

‘this place is an aviary, not a stable’…off to the races at the Melbourne Cup

Posted by rollinsloane on 6 November 2007

There’s a whole lot to see at a racetrack on carnival occasions and very little of it equine, unless you prefer to wax critical on all the ample female flesh on summer display.  The Melbourne Cup inspires an endless parade of the most ridiculous form of self-decor ever created, and by this, of course, I mean the enormous ladies’ hat.   Somehow church-going southern matrons manage to pull off the view-blocking head-topper with dignity to spare (elegantly deemed ‘Crowns‘ in that context by photographers Michael Cunningham and Craig Marberry).  Aussies, not so much.  These things involve so many feathers that when my companion ducked into the ladies’ room she couldn’t stop laughing that dozens were now literally preening in front of the mirror.

melbourne cup silliness

But all in good fun.  If you’re to go to the trouble to doll up in your finery for a long sun-baked afternoon of champagne and beer (or, in our case, craftily smuggled paint-thinner-like vodka), it might as well be with a healthy dose of silly.   In fact, it was mostly the menfolk who took the day seriously, slicked to the teeth in silver suits, flashy glasses and the most dapper assortment of shoes this side of Andre 3000.  Not to mention enough gel to fill a pool.  Meanwhile champagne bottles kept going by and spray-tanned ladies kept grinning about beneath their high spurts of plumage and it was hard not to keep thinking spring mating season has indeed arrived.

Studying one such group in wide-smiled spirits, I couldn’t help noticing the sign above them helpfully pointed to the ‘mounting yard.’  This, of course, is where the horses are shown after (or is it before?) their race, paraded about by the bit for maximum crowd appreciation of their super-human grace.  Right beside the yard, there was the official catwalk for the day’s periodic ladies’ fashion displays.   There’s a connection to be made here, and I’m going to let you do it.

Posted in had to be there, huzzah | Tagged: , , | Leave a Comment »