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to earth, and beyond

Posted by rollinsloane on 28 March 2009

battlestar galactica

episode 4.12 – daybreak, pt 2.

official synopsis: “In the final episode, conflicts reach a climax while Cylons and humans face a stark choice.

 ——- quotes and comments and SPOILERS follow ——-

Hmmm…lots of drinking back there on Caprica. Come to think of it, lots of drinking (Saul, Starbuck) throughout BSG

God, you can’t even recognize Starbuck in the flashbacks. It seems like Katee Sackhoff is actually just doing another character…and it’s nice to know she’s got the range. I kind of like her in this goofy incarnation, flirty and bright but still so secure.

This young version of Lee is familiar to me – the earnest young politico, mad at the system but convinced of its necessity. So certain that his leadership will make things different.

Cheesy thank you speech from Roslin to Doc Coddle, but somehow observant, because doctors only get those kinds of thank yous on their own TV shows, and even then rarely. You know, Doc Coddle’s been a pretty stand-up guy throughout this series and they’ve never really given him the depth of a good background story or parallel plot (Deadwood, too, has a similarly affable-and-frequent-but-underdeveloped doctor character)

Not going to lie…I’ve never really bought the whole Gaius-cult thing as a legitimate story line…I understand what they were trying to develop, but it’s a bit too left-field for me.

Good lord, the battle scene music…ridiculous! Like, old-school Davy Crockett-style over-the-top.

Oooo, shades of Starship Troopers as they scour the Cylon ship with battles guns drawn.

I love Lee’s hilarious half-mullet. Whipping off that space helmet, he couldn’t possibly be more 80s.

It’s hard to fathom how high the stakes are in these aerial dogflights….all that stuff flying at them, and any single slightly wrong move could kill them instantly.

The Cylon examiner gets a Deep Blue Sea-style death (remember Samuel L. Jackson getting chomped mid-speech by the shark?) after calmly telling Boomer that “In the end, it’s all mathematics.” She then swiftly breaks his neck in the name of some vague emotion. Score one hugely  obvious narrative point for the theme of Heart Over Head.

Then Anders comes back (in one of his creepy catatonic monologues) with  “Open your mind and hear what your heart wants to deny.”  Point for Head Over Heart?  

Cylon (re Boomer’s significant betrayal): “Never should have trusted her.” Dean Stockwell: “Trust didn’t enter into it. I simply miscalculated her need to engage in gestures of futility.” – Ice-cold! But so well-phrased. Isn’t that a lovely way to think of trust?

Does Caprica 6, Baltar’s Cylon-ghost-invisible friend, say that she wants to be proud of him or part of him? “I always wanted to be proud/part of you. I guess I always felt that was the only thing missing.” It’s either maternal or creeper, but odd either way.

WHA! Does Caprica 6 have her own slinky, manipulative Baltar in her head? That is awesome. Totally appropriate. Another comment on relationships, perhaps…isn’t it an unrealistic image that serves as our inner motivation? Of course, BSG gives it its own oddball sci-fi twist with the suggestion that these internal images also served the characters in some sort of mystical Fates capacity.

Ummm…how did Athena and Starbuck and Helo et. al get to Boomer and Hera soooo fast? What are the lay-outs of these ships that they’re so easy to navigate? 

Interesting, Athena shoots Boomer in the stomach…not up to the task of shooting her own image in the face?

You know, filming some of this stuff must seem so silly on-set, the emotional marching through the hallway, etc.

Interesting image – Baltar leads the way while Caprica 6 holds the child and wields the gun.

I’m sure it’s supposed to mean something that the most intelligent human (man) and most beautiful Cylon (woman) continually compose the series’s favorite hybrid family image instead of plain old goody-two-shoes Helo and Athena, the hybrid child’s actual parents.

It’s Baltar who gives Dean Stockwell the last speech for mankind — and it’s about the beauty of faith? Is this really what humankind represents? 

Baltar’s ‘angel’ version has a seriously 70s porno vibe going on.

So, Chief kills Tori after finding about her instigation of Callie’s death…I wondered if Tori was ever going to get some comeuppance for that.

Isn’t Lee’s optimistic vision for giving the Earth natives the Capricans’ “best parts” a bit resonant of the Cylons’ attempts to create a new, more perfect race? And didn’t that not go so well? Also, the paternalism of the technologically advanced white man bearing down on African natives….shaky, questionable ground to tread, although I understand the historical point the creators are trying to make – the insinuation that these were our forefathers.

So they all get to Earth, only to go off into their own directions. Huh. So much for solidarity.

Ew, Baltar and Caprica 6’s last little bit of editorializing on the streets of present-day Manhattan, critiquing excess materialism, etc…snore. Although, how funny – those are indeed real, creepy Japanese robots! Our next downfall is eminent!

Overall, I must say, I’m happy with this BSG wrap-up…I’m satisfied. Even Starbuck’s ugly wing tattoo gets explained (*ahem, as she’s an angel). The flashback sequences were a wee hammy, but BSG has always been a wee hammy — that was really part of its draw.


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